Shigeyuki kihara biography of michael j
Shigeyuki Kihara is a multimedia and performance artist who uses photography to explore themes of Pacific culture, identity, indigenous spirituality, colonialism, stereotypes, gender roles, and consumerism. Kihara was born in Samoa and is of Japanese and Samoan descent. She lives in Aotearoa/New Zealand.
Inspiration for Kihara's work comes from a variety of sources, including nineteenth- and early twentieth-century colonial photographs made by non-indigenous artists who contributed to perceptions—many of them erroneous—about Pacific Islanders and their culture.
In the Black Sunday series, Kihara chooses to rework historical photographs and postcards into collages that are rephotographed.
In Gossip Sessions and Show No Evil, Kihara clothes young women who were typically pictured naked.
Shigeyuki kihara biography of michael Welcome to the Shigeyuki Kihara site. A famous Samoan artist and an independent curator, Kihara is a pioneer of the art of social conscience from the region. Here you can find many of her artworks that deal with social and political issues inspired by traditional Samoan art.In Distressed Maiden she transforms the stereotypical theme of the "dusky maiden," the subject of a multitude of colonial images. The woman seen in Tasi ae afe: One but a Million wears the headdress of a taupou—a daughter of a Samoan high chief and a ceremonial maiden who represents her community and extended family.
Her portrait is slashed to allude to a series of iron bars, immobilizing the taupou in the picture and through the gaze of the photographer. Afa tasi: Half of One also comments on the collectivity of the community represented by an individual.
In the series Fa'a fafine: In a Manner of a Woman, Kihara makes powerful statements about the depiction of Samoan people, shared memory, societal roles, and sexuality.
The Samoan word fa'a fafine is best described in Western terms as a third gender. The artist, herself a fa'a fafine, re-creates studio tableaux similar to the scenes staged by nineteenth-century non-Samoan photographers such as Thomas Andrew and Alfred John Tattersall, where women and men were posed alone and as couples partially clothed and often with tropical foliage.
Shigeyuki kihara biography of michael jackson Shigeyuki Kihara is a visual and performance artist based in Auckland, New Zealand. The recipient in of Creative New Zealand Art Council's Emerging Pacific Island Artist Award, her cutting-edge work challenges cultural stereotypes and dominant norms of sexuality and gender.In the triptych Kihara is seen on a couch in a provocative, reclining pose that evokes numerous historical photographs of lounging seductive women, often captioned as Samoan “belles.” The series is a powerful commentary directed at Western perceptions of Pacific Islanders and the sexual stereotypes that were generated by early images.
Presented as male and female, Kihara confronts and challenges assumptions about gender identity.
The series Faleaitu: House of Spirits celebrates aspects of the coconut tree through a humanized manifestation. The coconut tree is an essential plant in Samoa and integral to a variety of functional and ceremonial art forms.
In Vavau: Tales from Ancient Samoa, Kihara presents herself as characters in Samoan creation stories and folklore. With the artist seen as a man and a woman in Maui ti'eti'etalaga and Tonumaipe'a, she again explores life roles while embracing and visualizing traditional cultural beliefs.
This exhibition is made possible by the Friends of the Arts of Africa, Oceania, and the Americas.